"Unscripted" television
This is a take-off from a turn in the conversation in the Connor Trinneer thread.
Personally, I have to admit there are a few of this type of shows I like. I love America's Next Top Model, Shear Genius, and Tabatha's Salon Takeover, but I feel almost shameful for admitting that, and a little defensive because they relate to the fashion and beauty industries, which I'm a part of.
And back in the day I loved me some Osbournes. And on that same token, I'll watch Gordon Ramsay, because hey, who can resist a British guy with a dirty mouth?
But--it seems like these "reality" shows are taking over.
Why? Not because people really want to watch them, but because they're CHEAP to produce. You don't have to pay actors, and yes, many do employ "writers"--but for their purposes, I use the term loosely.
Think ratings have anything to do with it? Well, kind of, yeah, they do--but not really the way you think. It's easy to "prove" that a particular genre is a ratings goldmine when you offer little else to compare it to, when such shows dominate your lineup. It's the same principle as the "hits" radio stations: the chart-topping music isn't necessarily any good (and face it, it usually is crap), but as consumers of the medium we allow ourselves to be convinced that it's great because they shove the same six songs down our throats once an hour every day for four months. Radio programmers can create a false demand by increasing a song's airplay--and you, the listener, believe it's because this is what other listeners have said that they want to hear.
Which is why I hate American Idol. I don't mean to offend the show's fans--more power to you if you like it--but again, as someone who has professional aspirations in the electronic media industry, this show is churning out yet more cookie-cutter fodder for these "hits" stations, and the cycle continues. That, and the fact that yes, this show is also contributing to fewer jobs for actors and writers.
But I digress.
The point is, look at what your TV stations and cable channels are offering, and keep track of it over time, and realize how little choice you're really being offered. And think about how easy it is to dominate the ratings when that's just about the only thing on.
And then think about the fact that getting rid of them isn't as simple as not watching them. Because nobody's invested as much in them as a one-hour scripted drama you're not watching. Ever wonder why really good shows get canceled, even if they're doing well in the ratings? It's because they've become expensive to produce. The show and its stars gain popularity and critical acclaim, which means your cast and writers start leveraging for more money...and the next thing you know, the network has pulled the plug because somebody has pitched the "reality" show Teenage Neo-Nazi Lesbian Hookers and hey, they can produce that for half the price...
cha-ching.
For me personally, this has me very concerned. It's putting actors out of work, and as an aspiring screenwriter, this means that there will be even fewer staff writing positions available, it'll be even harder for me to sell a pilot, and even if a pilot gets made, it'll be even harder to get the show ordered.
Any way, thanks for indulging my rant, and I hope that in the process I've helped to shed some light onto how the system works.
Personally, I have to admit there are a few of this type of shows I like. I love America's Next Top Model, Shear Genius, and Tabatha's Salon Takeover, but I feel almost shameful for admitting that, and a little defensive because they relate to the fashion and beauty industries, which I'm a part of.
And back in the day I loved me some Osbournes. And on that same token, I'll watch Gordon Ramsay, because hey, who can resist a British guy with a dirty mouth?
But--it seems like these "reality" shows are taking over.
Why? Not because people really want to watch them, but because they're CHEAP to produce. You don't have to pay actors, and yes, many do employ "writers"--but for their purposes, I use the term loosely.
Think ratings have anything to do with it? Well, kind of, yeah, they do--but not really the way you think. It's easy to "prove" that a particular genre is a ratings goldmine when you offer little else to compare it to, when such shows dominate your lineup. It's the same principle as the "hits" radio stations: the chart-topping music isn't necessarily any good (and face it, it usually is crap), but as consumers of the medium we allow ourselves to be convinced that it's great because they shove the same six songs down our throats once an hour every day for four months. Radio programmers can create a false demand by increasing a song's airplay--and you, the listener, believe it's because this is what other listeners have said that they want to hear.
Which is why I hate American Idol. I don't mean to offend the show's fans--more power to you if you like it--but again, as someone who has professional aspirations in the electronic media industry, this show is churning out yet more cookie-cutter fodder for these "hits" stations, and the cycle continues. That, and the fact that yes, this show is also contributing to fewer jobs for actors and writers.
But I digress.
The point is, look at what your TV stations and cable channels are offering, and keep track of it over time, and realize how little choice you're really being offered. And think about how easy it is to dominate the ratings when that's just about the only thing on.
And then think about the fact that getting rid of them isn't as simple as not watching them. Because nobody's invested as much in them as a one-hour scripted drama you're not watching. Ever wonder why really good shows get canceled, even if they're doing well in the ratings? It's because they've become expensive to produce. The show and its stars gain popularity and critical acclaim, which means your cast and writers start leveraging for more money...and the next thing you know, the network has pulled the plug because somebody has pitched the "reality" show Teenage Neo-Nazi Lesbian Hookers and hey, they can produce that for half the price...
cha-ching.
For me personally, this has me very concerned. It's putting actors out of work, and as an aspiring screenwriter, this means that there will be even fewer staff writing positions available, it'll be even harder for me to sell a pilot, and even if a pilot gets made, it'll be even harder to get the show ordered.
Any way, thanks for indulging my rant, and I hope that in the process I've helped to shed some light onto how the system works.